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Ferruccio Benvenuto Busoni. The Italian musician Ferruccio Benvenuto Busoni (1866-1924) was one of the most distinguished and versatile musicians of his time, active as a pianist, conductor, teacher, and composer. His speculations about future developments of music were prophetic.
His orchestrations for large orchestra of Busoni’s monumental piano work, Fantasia Contrappuntistica, Liszt’s Fantasy and Fugue on BACH, Franck’s piano quintet as Symphony in f-minor five piano and choral works by Rachmaninoff as Five Pieces for Orchestra and Reger’s massive Variations and Fugue on a theme by Bach opus 81 have had performances with the Berlin Symphony at Berlin.
Summary for the Busy Executive: Operatic Punch. Excepting the Fantasia contrappuntistica and the works of Bach-Busoni, I've never cared for the instrumental works of Ferruccio Busoni, despite the considerable fascinations of that musical mind. The piano concerto seems to me more interesting in the forces it calls for, rather than in the music those forces actually get to play.
Ferruccio Busoni (1866-1924) looked both to the future - in a written essay from 1907 he suggests how music might develop with microtones and electronics - and to the past. He revered Bach and Mozart. Busoni's mature musical language is a mix of classical foundation while enveloping new developments.
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Busoni's example, his mysticism and Faustian striving, fascinated the young Brendel -- he recorded Busoni's Fantasia Contrappuntistica in the early 1950s -- but proved a detour while prompting an extraordinary insight into the music of Liszt.
Except for Busoni. It would not apply, I think, to Sorabji’s other pieces, but if one crucial work provides a background to CC it is Busoni’s Fantasia Contrappuntistica. Certainly important aspects of CC are missed if one is unacquainted with that earlier work.